The jam session—or "Blowin’ Session" as it is referred to in Johnny Griffin’s 1957 Blue Note album by that name—is an essential part of the jazz tradition. Throughout the history of jazz, players have engaged in these informal musical events as a means to blow off steam, sharpen their improvisational skills, and prove themselves amongst their peers. Though not all jam sessions are highly competitive, the legendary cutting contests of stride pianists like James P. Johnson, Fats Waller, and Art Tatum in the 1920s and 30s served as not only an important proving ground for young pianists, but as a hub for the development of the art form. In fact, it is in these after-hours, informal settings that many of the great innovations in jazz have occurred. Late night jam sessions amongst musicians like Charlie Parker, Dizzy Gillespie, Thelonious Monk, and Bud Powell at the Harlem jazz club Minton’s Playhouse are often cited as playing a critical role in the development of Bebop in the 1940s. The average jam may not be as monumental as these historic sessions between masters, but the tradition of the “Blowin’ Session” is indispensable in the development of all jazz practitioners.

Join us Thursday, February 10 at the Salmon Arm Jazz Club to hear a host of Salmon Arm’s finest jazz musicians engage in this age old tradition. The evening will be hosted by our house band: Jake McIntyre-Paul (Bass), Jordan Dick (Guitar), and Gareth Seys (Drums), who will lead the way for special guest performers.

COVID-19 protocols (masking, distancing and proof of vaccination) remain place. If you have any questions about our approach to COVID-19 safety, details are available here.

ADMISSION: By donation.
CONCESSION: Unavailable at this time due to COVID-19.
DOORS: Open at 6:30 pm